This Drifting Excrement Was Way Too Meaningful! It's the TV Disappointments of the Year.

Looking back, we reflect on the TV offerings of the past year, a handful of series emerge not for their brilliance, but for their notable shortcomings. From awkward spin-offs to bafflingly poor docuseries, here are the programmes that had us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate follow-up? Plagued with dreadful scripts, cringe-inducing character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show fought to find its footing. For a moment, as the final series began, it seemed as if it had at last found its groove. Then arrived an installment all about Seema’s natural deodorant. Little surprise the showrunner declared this would be the final season. It ended on a low point; the closeup of Miranda’s toilet flooded with poo was simply too symbolic. Still, viewers certainly found joy picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t release a small sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the smallest of this show's issues. The subject of a very rare zero star assessment, it was difficult to know where to start listing the flaws. The hilariously wooden dialogue? The mind-numbing glorification of affluence and consumption? The seemingly deliberate parade of tropes? Acting so poor they felt almost spiteful? Suffice it to say “each and every one” and forget about this show again. Except, a second season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this multi-part documentary which smirked its way at Sheen’s various bouts of reckless excess while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any sympathy this series might evoke should be saved for the people who have had to endure close contact with this charismatic but dismissive egotist.

The Iris Affair

Of course we understood it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure love for its stars … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Dodgy figures convening in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is unfair on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t endure the ignominy of having to accommodate baffling accents. But there were many other issues. Primarily that it was just really dull; a dispute over narcotics territory between various London picaresques which seemed rather simplistic.

With Love, Meghan

Given the degree to which she grinds the gears of certain performatively enraged commentators, it’s temptingly easy to admire the Duchess of Sussex’s various forays into twee lifestyle as deliberate provocations. But then you watch them and are forced to concede that actually, they may have a point. It’s like watching a homeware magazine come to life; a poster for evening drinks with ideas of grandeur; a parade of sleeping dogs, humming beehives, sentimental platitudes and forgettable crafting “tips” you’ll not remember instantly. All supported by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be discussed about both Victoria Beckham and her journey with career, self-image, self-acceptance. But for some reason, this three-part series chose not to say them. Instead, the experience was akin to consuming a sales brochure. She clearly has good reason to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this cagey letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality managing her estate. What more could you ask for? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s still too complicated to detail what exactly was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a production that was trying way too hard to emulate something far greater than it.

Too Much

How does one succeed a show that captured a generation? The expectation was enormous for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the sheer amount of celebrity friends involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the smart recruitment of gifted younger comics, expectations were high. But sadly, most of it didn’t land. A particular sketch was a single joke stretched to a husk but repeated in every episode. One star seemed too willing to slip into a familiar ranting mode. The writing room sketches, meanwhile, simply provoked the thought that they should probably have remained in there a bit longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated sensitively. Rather, the series struggled painfully to find the right voice, lumbering from strangely breezy, somewhat stylised farce to ultimately, real-life horror. Twisted? Arguably. A total mess? Very much so.

The Maths Genius Thriller

We love the lead actor … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the brink of a breakthrough that could ruin society? Nope! This international thriller about government agencies spying on – and killing off – academics honestly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the online personality notorious for sexual escapades as she undertook her most extreme challenge yet. What on earth would motivate her? What we wanted was way more examination of her actual psychology, plus those of the men in the queue. They could at least have spoken to the legendary mum who showed up to haul her son away from the queue. What we got was disturbing imagery and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Rhonda Bird
Rhonda Bird

Aria Chen is a tech journalist and AI researcher with over a decade of experience covering cutting-edge innovations and their societal impacts.